I’m going to be the best and the greatest.” I believe her and simultaneously believe in her. Vera asserts: “Watch Me! I’m going to take over. I believe Billie and have always believed in her for some reason– even when blogs pump out conspiracy theories, my friends decide her to be too much of a scene and her fan base grows increasingly pop-centric. A lot of people are just so afraid of what other people think, which is just so stupid” ( a beautiful perspective ). You’re still thinking about me, and I’m going around in your head. In 2017, Billie asserted, “I don’t care if you think I look bad or you don’t like me.
When you are in your teens, emotions are often felt with an intensive clarity and in the case of these two tracks, it shows. There is no sense of either artist being jaded or fake in Vera’s Daddy or Billie’s Six Feet Under. The luminous energy that transcends Vera’s and Billie’s content both on socials and in your headphones takes form as a feeling not often felt– I attribute it to their seemingly unadulterated youth. Known as Vera Carlbom by those close to her, the swagger that the Swedish up-and-comer flaunts is similar to that of Billie’s. I’d like to think that a large percentage of those supporters have come from me pleading her case to whoever will listen.īillie boasts 586,011 listeners in Los Angeles, as in roughly 7% of the city’s population. While Vera spent time in Los Angeles writing with Elliphant and Diplo prior to releasing her first single, Spotify’s overly detailed statistics point to the fact that she only has 115 monthly listeners in the City of Angels. Vera looks very much like Chloe Grace Moretz if Chloe were noticeably tattooed and fond of rocking a grill in press shots despite them masking her near perfect smile. I laugh, thinking this moment is the pinnacle of her career if that what she touches is subject to alchemy. I was overcome with jealousy when I scrolled upon her blurry photo on Instagram in which she rocked Kanye stunner shades for likely the first time since we both acquired pairs at Kanye’s 2008 “Glow In The Dark Tour.” Pictured is Takashi’s arm around her shoulder. My sister, who works in the Berlin art scene, recently traveled to Shanghai for an art week of sorts where she met Takashi at a party. In 2007, Murakami created the cover artwork for Kanye West’s album, “Graduation,” and directed an animated music video for West’s song “Good Morning.” I’ve always believed one of two notions to be true– anything Takashi touches turns to gold or Takashi only touches that which is already gold. I am under the impression that Vera and Billie would likely be friends– they dress well, seem confident in themselves while remaining humble, and their music packs an emotional right-left hook combo. I’d like to think that in her hometown of Stockholm, people are actively listening to Vera’s music in place of Billie’s. Vera Hotsauce released a single today which is arguably better than some of the tracks on Billie’s project. Today, Billie’s album dropped and charted immediately every track on the album will continue to climb up and down the chart crossing over one another like a slew of rock climbers sharing a wall and refusing to hit the floor. Last Friday, Billie’s video release for “you should see me in a crown” in collaboration with Takashi Murakami dropped– a moment of extreme cultural significance. It’s funny how her age is enduringly the first detail journalists note as if anyone reading hasn’t already had the industry’s festishization of youth drilled into their heads. Nine distinct classes provide a broad range of tactical abilities and personalities, and lend themselves to a variety of player skills.Billie Eilish is 17 and bigger than life.
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